Synopsis
My work is a visualisation of an ongoing investigation into the essence of natural pigments from (local) stones and earths. Painting for me begins and ends with the earth.
The process of searching for raw materials and making paint comprises a large part of my work as an artist. As I observe a new landscape, I always look for raw materials.
The paintings and drawings I create with the soil reveal the subtlety and natural appearance of the Earth's colour palette.
In my work, I strive to capture the genius loci - literally, ‘the spirit of a place’. The memories and stored images of my exploration of the landscape are reflected in the works I create. They are markings and notes that reveal themselves through the paint on the canvas.
Layer by layer an imaginary landscape is created. I try not to force the landscape, but to let it come to me through the paint.
Each region's earth colour is unique and one of a kind. Working with only local materials and the restrictions of the colour palette is key. I believe that working with scarcity and rarity contributes to a better connection with our planet and its resources.
Through the succession of different layers of paint, structures and textures form. This transforms the canvas into a landscape in an almost physical way, rather then just creating an image of it. The landscape is literally created by layering different types of soil. This creates an unique landscape that refers to the location where the earth pigments were mined.
The paint film that I’m looking for is often matte and expresses the subtlety of self-made paints, like casein and punic wax. The final image shouldn’t be too focused. This diffuse representation creates a poetic character.
For me, the landscape is always the subject of my work, even in abstract works. Rather than a backdrop of a tableau, it is a defining dimension; it is nature itself that is the main character in my work.
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Artworks